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Roughly bounded by railroad tracks, KY 627, and Maple and Highland Sts. 37°59′34″N 84°10′38″W / 37.992778°N 84.177222°W / 37.992778; -84.177222 ( Winchester Downtown Commercial
The Antioch Christian Church in Winchester, Kentucky is a historic church. It was built in 1834 and added to the National Register in 1979. [1] It was built as a stone, one-story, two-entrance church. It was later converted to a barn with a gambrel roof. [2]
The original house on the site was built by William Evelyn in 1722. [2] It was bought by Sir Chaloner Ogle, 1st Baronet in 1773. [3] Admiral Sir Charles Ogle, 2nd Baronet inherited the house in 1816 and commissioned Sir Robert Smirke to demolish the west wing and replace it with a new building, built in the Georgian style, which was completed in 1820.
Ensor was born in Dublin where is father George Ensor Sr., originally from England, was a prominent architect and developer. In 1783, his mother Sara Ensor (née Clarke) inherited Ardress House, [1] a modest farmhouse in County Armagh, that his father transformed with, amongst other alterations, a facade with false windows to increase the property's apparent size.
The Skillings Estate House is a historic house in Winchester, Massachusetts. Built about 1880 by a Maine lumber magnate David Skillings, it is one of four houses he built as part of his exclusive Rangeley Estate. The house was listed on the National Register of Historic Places in 1989. [1]
Winchester Center Historic District: Winchester Center Historic District: November 21, 1986 : Roughly bounded by Mt. Vernon and Washington Sts., Waterfield Rd., Church and Main Sts. 65: Winchester Savings Bank
The Opera House in Winchester, Kentucky, United States was designed in 1873 by the first Mayor of Winchester, J. D. Simpson. The opera house was a gift from the mayor to Winchester's citizens so they could enjoy performing arts. It hosted off-Broadway and classical concerts.
Christ's Entry Into Brussels in 1889 (French: L'Entrée du Christ à Bruxelles, "Entry of Christ into Brussels") is an 1888 painting by the Belgian artist James Ensor.The post-Impressionist work, parodying Jesus' triumphal entry into Jerusalem celebrated on Palm Sunday, is considered Ensor's most famous composition and a precursor to Expressionism.