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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
In 1844 Mendelssohn arranged three movements for piano solo (Scherzo, Nocturne, Wedding March), which received their first recording by Roberto Prosseda in 2005. Slightly better known is the composer's own arrangement, also made in 1844, of five movements for piano duet (Overture, Scherzo, Intermezzo, Nocturne, Wedding March).
The album includes all of Mendelssohn's incidental music for A Midsummer Night's Dream except his score's No. 6, a melodrama. The vocal numbers are sung in Shakespeare's English rather than in the German translation by August Wilhelm Schlegel and Dorothea Tieck that Mendelssohn set, necessitating a few small deviations from Mendelssohn's original score.
The Wedding March may refer to: "Wedding March" (Mendelssohn), an 1842 composition by Felix Mendelssohn from his incidental music for A Midsummer Night's Dream; The Wedding March, an 1873 play by W. S. Gilbert, later adapted as the comic opera Haste to the Wedding; The Wedding March, an Italian silent film directed by Carmine Gallone
One such example is the arrangement of 22 of the songs by Mendelssohn's student, the German violist Friedrich Hermann (1828–1907), for violin and piano. [12] In 1834, Franz Liszt wrote his Grosses Konzertstück über Mendelssohns Lieder ohne Worte (Grand Concert Piece on Mendelssohn's Songs Without Words) for 2 pianos.
A Midsummer Night's Dream, Op. 61, IX: Wedding March / Felix Mendelssohn; Radetzky March, Op. 228 / Johann Strauss I; Symphony No. 5 for Organ, Op 42, No. 1, V: Toccata / Charles Marie Widor; Water Music Suite No. 2 in D Major, Alla Hornpipe / Handel; Humoresque No. 7 in G♭ Major, Op. 101 / Antonin Dvořák
The exiting of the bridal party is also called the wedding recessional. At the end of the service, in Western traditions, the bride and groom march back up the aisle to a lively recessional tune, a popular one being Felix Mendelssohn's Wedding March from A Midsummer Night's Dream (1842). [6]