Search results
Results From The WOW.Com Content Network
The history of African Americans in Ghana goes back to individuals such as American civil rights activist and writer W. E. B. Du Bois (1868–1963), who settled in Ghana in the last years of his life and is buried in the capital, Accra. Since then, other African Americans who are descended from slaves imported from areas within the present-day ...
On West Africa's coast, Ghana is drawing black people from around the world. Last year marked 400 years since enslaved people arrived in America, and the country honored the resilience of black ...
"Soul to Soul" will hook you. We defy anybody to watch the final half hour of this color documentary of a soul and gospel music concert, performed in Ghana, without tapping a foot. But it is the sea of rapturous black faces, those of the visiting American artists and their Ghana audiences, that makes this movie a haunting experience …
Accra has long attracted African-American tourists since the country became the first African country to gain independence from the United Kingdom in 1957 (W. E. B. DuBois settled in Ghana in his last years and is buried in Accra), and the government has made controversial overtures to gain more African-American residents and tourists ...
Guy Warren of Ghana, also known as Kofi Ghanaba (4 May 1923 – 22 December 2008), was a Ghanaian musician, most notable as the inventor of Afro-jazz — "the reuniting of African-American jazz with its African roots" [1] — and as a member of The Tempos, alongside E. T. Mensah. He also inspired musicians such as Fela Kuti.
Unofficial logo of Blaxit movement. Blaxit is a social movement that promotes the repatriation of Black/African Americans from the United States and Europe to Africa.The term now includes all people of African heritage who desire to move to Africa for many reasons, including new economic growth opportunities and cultural reasons.
The album was the second part of a five-part series on Black history, titled Roots and Folklore: Episodes in the Development of American Folk Music. [7] [8] The liner notes were written by Carter, who described the atrocity of slavery. [9] Benny Powell played trombone on the album; Andrew Cyrille played drums. [10] [11]
The band and its music became a source of pride and a reminder of what Asian American music can sound like, Maki said. “'Cruisin’ J-Town,' when you hear that song, it just evokes the memories ...