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The third type is the digital riddim, such as Sleng Teng, Punaany Riddim & Duck Riddim produced by King Jammy. [citation needed] A number of riddims take their name and influence from African-Jamaican religious drumming such as the Kumina riddim, created in 2002 by Sly and Robbie, and Burru. [5]
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
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The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s. It was originally written and recorded as "Stalag 17" (named after the 1953 war film ) by Ansel Collins and released by Winston Riley 's Techniques record label in 1973. [ 1 ]
Riddim Driven is a series of various artists compilation albums released by VP Records. Each volume of the series features tracks from multiple artists recorded over one or two reggae or dancehall riddims produced by various producers. The series began in January 2001 with the release of the Chiney Gal & Blazing riddim album.
"Sleng Teng" is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985.
The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973. The melody and cadence of the "Bam Bam" refrain in the chorus of Sister Nancy's version closely follows the original background melody of Toots and The Maytals ...
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