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The most popular roll film format is 120 film, which is used in most medium format cameras and roll film magazines for large-format cameras. Until the 1950s, 120 roll film was, with the smaller 127 film, also used in the simplest of box cameras and other snapshot cameras. The use of roll film in consumer cameras was largely superseded by 135 ...
Sreda film lab is based in Moscow, Russia. These films are repackaged from bulk rolls into 35mm cassettes or 120 rolls by Sreda for still camera use. Film is packaged with distinctive original artwork. 120 films are wrapped in silver foil.
For roll holder means film for cartridge roll holders, allowing roll film to be used with cameras designed to use glass plates. These were spooled with the emulsion facing outward, rather than inward as in film designed for native roll-film cameras.
The wide 6×12, 6×17, and 6×24 cm frames are produced by special-purpose panoramic cameras. Most of these cameras use lenses intended for large format cameras for simplicity of construction. Cameras using 120 film will often combine the numbers of the frame size in the name e.g. Pentax 6×7 (6×7), Fuji 617 (6×17), and many 645s (6×4.5).
A roll of Kodak 135 film for cameras. Individual rolls of 135 film are enclosed in single-spool, light-tight, metal cassettes to allow cameras to be loaded in daylight. The film is clipped or taped to a spool and exits via a slot lined with flocking. The end of the film is cut on one side to form a leader.
The first flexible photographic roll film was sold by George Eastman in 1885, [45] but this original "film" was actually a coating on a paper base. As part of the processing, the image-bearing layer was stripped from the paper and attached to a sheet of hardened clear gelatin. The first transparent plastic roll film followed in 1889. [46]