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Clips are then shown of various moments throughout the show, including including what appears to be a high-energy dance number set to Armstrong's 1955 hit, "When You're Smiling (The Whole World ...
This is one of Louis Armstrong's earliest film appearances. Armstrong and his orchestra perform "High Society Rag", the title song, and "Chinatown". [4] The use of a currently popular musician represented competition with the contemporaneous music library accessibility greatly exploited by animators Hugh Harman and Rudolf Ising, when producing musically-synchronized shorts for the Warner Bros ...
King Oliver / Louis Armstrong " Dippermouth Blues " is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer. [ 1 ]
In the clip, which has amassed nearly 10 million views, a man appeared to get stood up by a woman for a Honey Deuce drink while in the stands at the Louis Armstrong Stadium in New York, USA, on ...
Armstrong's popularity among African-American audiences dropped because of the song, but at the same time it helped the trumpeter to make his fan base broader. [6] In protest during the 1950s, African Americans burned their copies of the song, which forced Armstrong to re-evaluate and change the song's lyrics in a reissue. [ 7 ]
James Monroe Iglehart, who stars as Louis Armstrong in Broadway’s “A Wonderful World,” believes the revered jazz legend would have no problem fitting in with present-day rap and hip-hop ...
"We Have All the Time in the World" is a James Bond theme song performed by Louis Armstrong. Its music was composed by John Barry and the lyrics by Hal David.It is a secondary musical theme in the 1969 Bond film On Her Majesty's Secret Service, the title theme being the instrumental "On Her Majesty's Secret Service", also composed by Barry.
The website's consensus reads: "A fitting tribute to a titan of American music, Louis Armstrong's Black & Blues honors its subject by letting him tell his story in his own words." [2] The New Yorker said that while the film is "blandly conventional in its form", its wide range of archive clips and footage of Armstrong is "inspiring and ...