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Masterpiece is a 1962 pop art painting by Roy Lichtenstein that uses his classic Ben-Day dots and narrative content contained within a speech balloon. In 2017, the painting sold for $165 million. In 2017, the painting sold for $165 million.
Roy Fox Lichtenstein [2] (/ ˈ l ɪ k t ən ˌ s t aɪ n /; October 27, 1923 – September 29, 1997) was an American pop artist.He rose to prominence in the 1960s through pieces which were inspired by popular advertising and the comic book style.
Pages in category "Paintings by Roy Lichtenstein" The following 52 pages are in this category, out of 52 total. ... Masterpiece (Lichtenstein) Mr. Bellamy;
) is a 1961 painting by Roy Lichtenstein. It is a painting of a man looking through a peephole. It formerly held the record for highest auction price for a Lichtenstein painting. The work is based on a William Overgard-drawn comics panel from a Steve Roper cartoon. Lichtenstein's derivation augments the presentation of the narrative and expands ...
Holm, Michael Juul; Tøjner, Poul Erik; Caiger-Smith, Martin, eds. (2003), Roy Lichtenstein: All About Art, Louisiana Museum of Modern Art, ISBN 87-90029-85-2. Lobel, Michael (2002), Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art , Yale University Press, ISBN 0300087624 -9780300087628.
[6] [7] In the subsequent months that element of the painting series was exhibited at the Nevada Museum of Art in a four-month single-painting exhibition. [8] There are five different paintings listed on the Lichtenstein Foundation website under the title Expressionist Head. Three are from 1980, while one each is from 1982 and 1984. [9]
Roy Lichtenstein, the artist of the screen print, became a leading figure in the new art movement in the 1960's along with other famous artists like Andy Warhol.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. [1] Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966.