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A charro or charra outfit or suit (traje de charro, in Spanish) [1] is a style of dress originating in Mexico and based on the clothing of a type of horseman, the charro. The style of clothing is often associated with charreada participants, mariachi music performers, Mexican history, and celebration in festivals. The charro outfit is one that ...
The making of traditional huipils is an important cultural and economic activity for the Amuzgos, especially in Xochistlahuaca where most people still wear traditional clothing. Girls begin learning the craft when they are young, learning techniques and designs from their mothers and grandmothers.
In ancient dress, a Tilma, was a part of a man's dress, usually made of cotton and worn by the upper-class. [2] However, it is evident that in contemporary dress, a Rebozo (also called Sarape or Gabán) is a shawl worn by women and heavily influenced by the Tilma. Many of the key aspects and characteristics of older attire serve as a template ...
Most pre-Hispanic forms of dress and body adornment were banned by the Spanish as "uncivilized." Indigenous, European and Asian fabrics influenced Mexican cloth production by the mid colonial period. [1] [2] The Spanish did not favor the native cotton, nor did they find the material produced on traditional backstrap looms wide enough. New ...
Amuzgo textiles are those created by the Amuzgo indigenous people who live in the Mexican states of Guerrero and Oaxaca. The history of this craft extends to the pre-Columbian period, which much preserved, as many Amuzgos, especially in Xochistlahuaca, still wear traditional clothing. However, the introduction of cheap commercial cloth has put ...
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]