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Intentional camera movement. The camera or the focus or zoom of its lens is adjusted by the photographer during an exposure in order to achieve special or artistic effects. IPS In-Person Sales The practice of meeting with your clients in-person to show and sell your photographs, rather than simply providing them with access to an online gallery. IQ
By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. [1] 30-degree rule
The device involves 1.) a vest redistributing the weight of the camera to the hips of the cameraman and, 2.) a spring-loaded arm working to minimize the effects of camera movement. A video tap simultaneously frees the camera operator from the eyepiece, who is then free to travel through any walkable terrain while filming. Story board
The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line ; breaking the 180-degree rule by shooting on all sides is known as shooting in the round .
Zoom burst, a photograph taken with a zoom lens, whose focal length was varied during the course of the exposure. In a sense, ICM is the same effect as (intentional) single-exposition motion blur: in the former the camera moves during exposure, in the second the target moves, but they have in common that there is relative motion between camera and target, often resulting in streaking in the image.
Screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing and film grammar is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.
A flashcube was a module with four expendable flashbulbs, each mounted at 90° from the others in its own reflector. For use it was mounted atop the camera with an electrical connection to the shutter release and a battery inside the camera. After each flash exposure, the film advance mechanism also rotated the flashcube 90° to a fresh bulb.
The earliest film cameras were thus effectively fixed during the shot, and hence the first camera movements were the result of mounting a camera on a moving vehicle. The first known of these was a film shot by a Lumière cameraman from the back platform of a train leaving Jerusalem in 1896, and by 1898, there were a number of films shot from ...