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K-14 was the most recent version of the developing process for Kodak's Kodachrome transparency film before its discontinuation (the last revision having been designated Process K-14M). [1] It superseded previous versions of the Kodachrome process used with older films (such as K-12 for Kodachrome II and Kodachrome-X). [2]
An example of slide film requiring development using the E-6 process. The E-6 process (often abbreviated to E-6) is a chromogenic photographic process for developing Ektachrome, Fujichrome and other color reversal (also called slide or transparency) photographic film.
Kodachrome K135 20 Color Reversal film Kodachrome II – film for color slides; the 35 millimeter still photography format is shown above. Kodachrome was the first color film to be successfully mass-marketed that used a subtractive color method. Previous materials, such as Autochrome and Dufaycolor, had used the additive screenplate methods ...
This arrangement formed the basis for all subsequent color slide and negative films. [12] [13] In comparison, Kodak Kodachrome which launched a year earlier required the processing of each color layer separately. Agfa Color Neu was initially made available on a trial basis from April 1936 with use in the August 1936, Berlin Olympics.
A slide copier is a simple optical device that can be fastened to the lens mount of a camera to enable slide duplicates to be made. Whilst these devices were formerly used to make duplicates on to slide film , they are often now used in conjunction with digital cameras to digitize images from film-based transparencies.
Most vintage stereo slides were taken on Kodachrome slide film. Kodachrome was popular with stereo photographers because it had better color reproduction compared to other transparency films available at the time (such as Anscochrome) and low grain (especially in the Kodachrome 10 ASA film, which was standard in the early 1950s, [35] and later ...