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China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
Sure, doing a trendy and chic paint job on an antique cabinet might make it look like new, but it pains my heart to see all the original beauty and charm being hidden by a coat of white, green ...
An old china cabinet at the Charlier Museum in Brussels, with Chinese wares. A china cabinet is a piece of furniture, usually with glass fronts and sides, used to hold and display porcelain ("china") or other ceramics. Typical china held in such cabinets often includes cups, plates, bowls, and glasses.
Chinese home furniture evolved independently of Western furniture into many similar forms, including chairs, tables, stools, cupboards, cabinets, beds and sofas. Until about the 10th century CE, the Chinese sat on mats or low platforms using low tables, but then gradually moved to using high tables with chairs.
Cabinet hardware. For cabinets that are in good condition, new hardware is "the best cheap investment," says Ludwinek. Swapping outdated hardware for a modern style will make the space feel more ...
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
Gilded frame ready for burnishing with an agate stone tool Application of gold leaf to a reproduction of a 15th-century panel painting. Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [1]
The "Six principles of Chinese painting" were established by Xie He, a writer, art historian and critic in 5th century China, in "Six points to consider when judging a painting" (繪畫六法, Pinyin: Huìhuà Liùfǎ), taken from the preface to his book "The Record of the Classification of Old Painters" (古畫品錄; Pinyin: Gǔhuà Pǐnlù ...