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Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
Melody may be characterized by its degree and type of conjunct and disjunct motion. For example, Medieval plainchant melodies are generally characterized by conjunct motion with occasional thirds, fourths, and generally ascending fifths while larger intervals are quite rare though octave leaps may occur between two separate phrases. [4]
A melody (from Greek μελῳδία (melōidía) 'singing, chanting'), [1] also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm , while more figuratively, the term can include other musical elements such as ...
conjunct An adjective applied to a melodic line that moves by step (intervals of a 2nd) rather than in disjunct motion (by leap). contralto Lowest female singing voice type contrapuntalism See counterpoint coperti (plural of coperto) covered (i.e. on a drum, muted with a cloth) corda String.
Because melody is such a prominent aspect in so much music, its construction and other qualities are a primary interest of music theory. The basic elements of melody are pitch, duration, rhythm, and tempo. The tones of a melody are usually drawn from pitch systems such as scales or modes. Melody may consist, to increasing degree, of the figure ...
This prelude uses more plagal leading tones than any other piece composed by Debussy, and the prelude's melody alternates between conjunct and disjunct movement throughout. [18] The piece begins with its well-known opening theme consisting of three-note phrases, [17] grouped together as one eighth note and two sixteenth notes.
(A tetrachord is a series of four consecutive notes covering the interval of a fourth, e.g. C, B ♭, A ♭, G; the lichanos ("forefinger string") was the second note of a tetrachord going down; the "conjunct tetrachord" is the tetrachord whose lowest note is the mese; and the "disjunct tetrachord" is the one whose lowest note is the string ...
Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]