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Both instruments appear in Zhou-era annals and the Classic of History [2] but are now rarely used, with surviving examples usually simply displayed in museums and Confucian temples. The Classic of Music that instructed creation and use of the yayue instruments is almost entirely lost, and aspects of modern construction and performance are ...
An illustration of two yu from the Complete Classics Collection of Ancient China (c. 1700–25) The Yu (竽; pinyin: yú) is a free reed wind instrument used in ancient China. It is similar to the sheng, with multiple bamboo pipes fixed in a wind chest which may be made out of bamboo, wood, or a gourd. Each pipe contains a free reed, which is ...
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn (). [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups.
As an example of this time period, in 2000, composer Dun Tan (谭盾) wrote the famous music piece Crouching Tiger Hidden Dragon (卧虎藏龙), which mixed traditional Chinese instruments, such as Erhu (二胡) and Pipa (琵琶), with Western orchestral instruments (see the external link section). At the same time, the boundary of music ...
In Chinese mythology, Ling Lun is said to have created bamboo flutes which made the sounds of many birds, including the mythical phoenix. "In this way, Ling Lun invented the five notes of the ancient Chinese five-tone scale (gong, shang, jiao, zhi, and yu, which is equivalent to 1, 2, 3, 5, and 6 in numbered musical notation or do, re, mi, sol, and la in western solfeggio) and the eight sounds ...
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Chinese Foreign Ministry Spokesperson Lian Jian claimed in a Dec. 20 press conference that China does not interfere in the internal affairs of other countries. Verdict: False China does interfere ...
Chinese musician playing the yueqin (right), 1874. The word yueqin is made of two characters, yuè (月 "moon") and qín (琴 "stringed instrument, zither"). Its name in Korean (wolgeum), Japanese (gekkin) and Vietnamese (nguyệt cầm) mean the same thing, and are Sinoxenic words, meaning they were borrowed from Chinese, but pronounced in the local way.