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A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound. The term beater is slightly more general. A mallet is normally held in the hand while a beater may be a foot or mechanically operated, for example in a bass drum pedal. The term drum stick is less general still but still applied to a ...
For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters. For others, such as snare drums, two beaters are often used, one in each hand. More rarely, more than one beater may be held in one hand; for example, when four mallets are used on a ...
Cymbals are usually notated with 'x' note heads, drums with normal elliptical note heads and auxiliary percussion with alternative note heads. [1] Non-pitched percussion notation on a conventional staff once commonly employed the bass clef , but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually ...
Very quiet notes can be obtained by using a much lighter beater; knitting needles are sometimes used as well. Composers sometimes call for wooden beaters to be used instead of a metal one, producing a unique tone. [12] A triangle roll, similar to a snare roll, is notated with three lines through the stem of the note. It requires the player to ...
This is a category for beaters used to play percussion instruments. Pages in category "Percussion instrument beaters" The following 12 pages are in this category, out of 12 total.
In his Overture to Benvenuto Cellini, for example, Hector Berlioz realizes fully voiced chords from the timpani by requiring three timpanists and assigning one drum to each. He goes as far as ten timpanists playing three- and four-part chords on sixteen drums in his Requiem, although with the introduction of pedal tuning, this number can be ...