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Y2K is an Internet aesthetic based around products, styles, and fashion of the late 1990s and early 2000s. The name Y2K is derived from an abbreviation coined by programmer David Eddy for the year 2000 and its potential computer errors .
Adding to its dual engagement with musical and visual art forms, vaporwave embraces the Internet as a cultural, social, and aesthetic medium. [40] The visual aesthetic (often stylized as " AESTHETICS ", with fullwidth characters) [ 20 ] incorporates early Internet imagery, late 1990s web design, glitch art , and cyberpunk tropes, [ 12 ] as well ...
Frutiger Aero visuals in user interface design (KDE Plasma 4 from 2011).Frutiger Aero (/ f r uː t ɪ ɡ ə r ɛ ə r ə ʊ /), sometimes known as Web 2.0 Gloss, [1] is a retrospective name applied to a design trend observed mainly in user interfaces and Internet aesthetics from the mid-2000s to the early 2010s. [2]
The term 'Cybergoth' was coined in 1988 by Games Workshop, for their roleplaying game Dark Future, [2] the fashion style did not emerge until the following decade. Valerie Steele quotes Julia Borden, who defines cybergoth as combining elements of industrial aesthetics with a style associated with "Gravers" (Gothic ravers). [3]
The Y2K issue was a major topic of discussion in the late 1990s and as such showed up in much popular media. A number of "Y2K disaster" books were published such as Deadline Y2K by Mark Joseph. Movies such as Y2K: Year to Kill capitalized on the currency of Y2K, as did numerous TV shows, comic strips, and computer games.
Cyber Group Studios (formerly Cyber Group Animation) is a French developer, producer and distributor of animated television series and movies for children in France and internationally. The company was founded by Pierre Sissmann, Dominique Bourse, Billy "Frédéric" Richard, Olivier Lelardoux and Cécilia Bosselin in 2003 and produces 3D and 2D ...
Where the small 'cyber' movement shares themes with cyberpunk fiction, as well as drawing inspiration from punk and goth alike, cyberculture is considerably more popular though much less defined, encompassing virtual communities and cyberspace in general and typically embracing optimistic anticipations about the future. Cyberpunk is nonetheless ...
Dreampunk emerged in the mid-2010s. Many early dreampunk artists drew influence from film scores, [2] vaporwave, [3] and drum and bass. [4] Dreampunk originates from the debut of 2814, the ambient duo composed of Luke Laurila (t e l e p a t h テレパシー能力者) and David Russo (Hong Kong Express). [5]