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Michael Card (born April 11, 1957) is an American Christian singer-songwriter, musician, author, and radio host from Franklin, Tennessee.He is best known for his contributions in contemporary Christian music, which combine folk-style melodies and instrumentation with an in-depth study of the Bible.
"I Am a Pilgrim" is a traditional Christian hymn from the United States, first documented in the mid-19th century. It forms part of the repertoire of gospel , folk , and bluegrass artists. The song combines elements from an "[o]ld hymn entwined with Poor Wayfaring Stranger (Sacred Harp - 1844).
The songs were inspired by scripture passages found in the Bible; it is included in a series with books by Max Lucado and Randy Frazee. [5] The album was named the Special Event Album of the Year at the 43rd GMA Dove Awards. [6] The album was written by Nichole Nordeman and composer Bernie Herms. [5]
George Beverly Shea (February 1, 1909 – April 16, 2013) was a Canadian-born American [1] gospel singer and hymn composer. Shea was often described as "America's beloved gospel singer" [2] and was considered "the first international singing 'star' of the gospel world," as a consequence of his solos at Billy Graham Crusades and his exposure on radio, records and television.
Illustration of the weeping by the rivers of Babylon from Chludov Psalter (9th century). The song is based on the Biblical Psalm 137:1–4, a hymn expressing the lamentations of the Jewish people in exile following the Babylonian conquest of Jerusalem in 586 BC: [1] Previously the Kingdom of Israel, after being united under Kings David and Solomon, had been split in two, with the Kingdom of ...
2014 saw the release of two more albums from Green: Hide the Word: Bible Songs for Kids and Hymns. [11] Regarding his Hymns project, Green said, "In every age, the church has lifted her voice to express praise and adoration, but the church has also used singing to refute dangerous heresy and remind one another of the foundational Biblical ...
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Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...