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"The Olmec Football Player" [30] is a 1980 short story by Katherine MacLean. In it, at least one of the Olmec colossal heads depicts an African-American college student who traveled back in time while wearing his football helmet. In The Mysterious Cities of Gold, the few remaining Olmecs are described as being descendants of Atlanteans.
"Olmec-style" face mask in jade. The Olmec civilization developed in the lowlands of southeastern Mexico between 1500 and 400 BC. [3] The Olmec heartland lies on the Gulf Coast of Mexico within the states of Veracruz and Tabasco, an area measuring approximately 275 kilometres (171 mi) east to west and extending about 100 kilometres (62 mi) inland from the coast. [4]
Several Olmec colossal heads have features that some diffusionists link to African contact. Proposed claims for an African presence in Mesoamerica stem from attributes of the Olmec culture, the claimed transfer of African plants to the Americas, [89] and interpretations of European and Arabic historical accounts.
The aspect of the Olmecs most familiar now is their artwork, particularly the colossal heads. [2] The Olmec civilization was first defined through artifacts which collectors purchased on the pre-Columbian art market in the late 19th and early 20th centuries. Olmec artworks are considered among ancient America's most striking. [3]
Van Sertima focuses specifically on the Olmec colossal heads, saying that the characteristics of the stone faces are "indisputably" African, while Mesoamerican experts such as Richard Diehl disregards this claim, as the statues are stylized and generally accepted as representing native Mesoamericans.
Most colossal heads were sculpted from spherical boulders but two from San Lorenzo Tenochtitlán were recarved from massive stone thrones. An additional monument, at Takalik Abaj in Guatemala, is a throne that may have been carved from a colossal head. This is the only known example outside of the Olmec heartland.
The causes and degree of Olmec influences on Mesoamerican cultures has been a subject of debate over many decades. Although the Olmecs are considered to be perhaps the earliest Mesoamerican civilization, [1] there are questions concerning how and how much the Olmecs influenced cultures outside the Olmec heartland.
Through subsequent research, it became apparent that not every cleft head nor every downturned mouth represented a werejaguar. [9] Some researchers have therefore refined the werejaguar supernatural, specifically equating it with the Olmec rain deity, [10] a proposition that artist, archaeologist, and ethnographer Miguel Covarrubias had made as early as 1946 in Mexico South.