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Gregorian chant evolved to fulfill various functions in the Roman Catholic liturgy. Broadly speaking, liturgical recitatives are used for texts intoned by deacons or priests. Antiphonal chants accompany liturgical actions: the entrance of the officiant, the collection of offerings, and the distribution of the Eucharist.
Gregorian Antiphonary. The Gregorian Antiphonary was an early Christian antiphonary, i.e. book of choral music to be sung antiphonally in services; it is associated traditionally with Pope Gregory I.
The Roman Antiphonary (Antiphonale Romanum) contains the chants for the canonical hours for the hours of Lauds, Prime, Terce, Sext, None, Vespers and Compline for every day of the year. The Vesperale Romanum is an excerpt of the Antiphonary containing the chants sung at Vespers. The music for use at the Mass is contained in the Roman Gradual ...
The associated psalm tones are indicated by number and ending pitch, and the pitches for the ending of the doxology are indicated by the mnemonic Euouae. An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the ...
Plainsong. Plainsong or plainchant (calque from the French plain-chant; Latin: cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. [1] Plainsong was the exclusive form of Christian church music until the ninth century ...
In the musical idiom of Gregorian chant, Introits normally take the form antiphon-verse-antiphon-doxology-antiphon. In the Tridentine Missal, this form was, with very few exceptions, reduced to antiphon-verse-doxology-antiphon. For example, the Tridentine Missal presents the Introit of the Fourth Sunday of Advent as follows: [7]
Improperia. Opening line of the Gregorian setting of the Improperia, with rubric, as found in the Liber Usualis. The Improperia are a series of antiphons and responses, expressing the remonstrance of Jesus Christ with his people. [1] Also known as the Reproaches or the Solemn Reproaches, they are sung In the Catholic liturgy as part of the ...
A comparison has often been made with the eight notes of the Gregorian chant or with the Oriental psalmody introduced into the church of Milan by Ambrosius: the latter, however, was certainly developed under the influence of Grecian music, although in origin it may have had some connection with the ancient synagogal psalm-singing, as Delitzsch ...