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Polyhymnia (/ p ɒ l i ˈ h ɪ m n i ə /; Greek: Πολυύμνια, lit. 'the one of many hymns'), alternatively Polymnia (Πολύμνια), is, in Greek mythology, the Muse of sacred poetry, sacred hymn, dance and eloquence, as well as agriculture and pantomime. Polyhymnia on an antique fresco from Pompeii
The ancients supposed each of the hours to be governed by a separate planet. First hour Represented as a young girl, her head adorned with light flowing hair; she is clad in a short dress of rose-colour, resembling the tints of the clouds before the rising of the sun; her wings are like those of a butterfly, and she holds the Sun and a bunch of ...
Asclepius (/ æ s ˈ k l iː p i ə s /; Ancient Greek: Ἀσκληπιός Asklēpiós [asklɛːpiós]; Latin: Aesculapius) is a hero and god of medicine in ancient Greek religion and mythology. He is the son of Apollo and Coronis, or Arsinoe, or of Apollo alone.
Edith Hamilton's Mythology has been a major channel for English speakers to learn classical Greek and Roman mythology (from Myth) Image 14 The Stone of Destiny (Lia Fáil) at the Hill of Tara, once used as a coronation stone for the High Kings of Ireland (from List of mythological objects )
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Silver plate with relief of Ino, Melicertes and an ichthyocentaur, ca. 590-650 AD, Benaki Museum. No satisfactory origin of the name Palaemon has been given. The name means the "wrestler", [ 10 ] and is an epithet of Heracles , with whom Melqart is identified by interpretatio graeca and referred to as the "Tyrian Herakles", but there does not ...
The cult of the Charites is very old, with their name appearing to be of Pelasgian, or pre-Greek, origin rather than being brought to Greece by Proto-Indo-Europeans. [29] The purpose of their cult appears to be similar to that of nymphs, primary based around fertility and nature with a particular connection to springs and rivers. [ 29 ]
Marsyas receiving Apollo's punishment, İstanbul Archaeology Museum. In Greek mythology, the satyr Marsyas (/ ˈ m ɑːr s i ə s /; Ancient Greek: Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe that had been abandoned by Athena and played it; [1] [2] in the other, he challenged Apollo to a contest of music and lost his hide and life.