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"Elise", as she was called by a parish priest (later she called herself "Betty"), had been a friend of Beethoven's since 1808, [14] who, according to Kopitz, perhaps wanted to marry her. [15] But in April 1810 Elisabeth Röckel got an engagement at the theater in Bamberg where she made her stage debut as Donna Anna in Mozart's Don Giovanni and ...
To the same page name with diacritics: This is a redirect from a page name that does not have diacritical marks (accents, umlauts, etc.) to essentially the same page ...
Usage on arz.wikipedia.org فور اليسيه; Usage on ca.wikipedia.org Per a Elisa; Usage on de.wikipedia.org Wikipedia:Redaktion Bilder/Archiv/2012/4; Usage on el.wikipedia.org Μπαγκατέλα; Usage on eo.wikipedia.org Por Elise; Usage on eu.wikipedia.org Für Elise; Usage on hy.wikipedia.org Էլիզեին; Usage on sv.wikipedia.org ...
Ludwig Nohl (5 December 1831 in Iserlohn – 15 December 1885 in Heidelberg) was a German writer and musicologist best known for discovering and publishing Beethoven's famous bagatelle, "Für Elise". Life
English: Bagatelle No. 25 in A minor (WoO 59 and Bia 515) for solo piano, Für Elise. Français : Bagatelle en la mineur, WoO 59, « La Lettre à Élise » (Für Elise).
Elise, the unidentified person to whom Beethoven dedicated Für Elise; Elise, a 1979 speculative fiction novel by Ken Grimwood; Élise ou la vraie vie (Elise, or the Real Life), a 1967 novel by the French writer Claire Etcherelli; Élise ou la vraie vie (Elise, or Real Life), a 1970 French drama film based on the novel of the same name
It had the inscription "Für Elise am 27 April zur Erinnerung von L. v. Bthvn" [For Elise on 27 April (1810) as memento by L. v. Bthvn]. Indeed, Anna Milder-Hauptmann named her "Elise" in a letter to her. [1] During the days before Beethoven's death, she and her husband Hummel visited Beethoven several times, and cut and saved a lock of his hair.
Psychedelic rock band Vanilla Fudge covered the piece (along with Fur Elise) that is part of "Phase Two" on their 1968 album, The Beat Goes On. In July 1975, Dmitri Shostakovich quoted the sonata's first movement in his Viola Sonata, op. 147, his last composition. The third movement, where the quotation takes fragmentary form, is actually ...