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Woman with a Pearl Necklace in a Loge (or Lydia in a Loge) is an 1879 painting by American artist Mary Cassatt. The Philadelphia Museum of Art acquired the painting in 1978 from the bequest of Charlotte Dorrance Wright. [1] The style in which it was painted and the depiction of shifting light and color was influenced by Impressionism. [1]
Five years after it was nearly destroyed in a devastating fire, Notre Dame de Paris formally reopened on Saturday with a two-hour ceremony inside the famed cathedral’s gleaming, newly renovated ...
The most excellent colors of the pictures, the precious gilding of the images, the beautiful transparence of the ruddy windows on all sides, the most beautiful cloths of the altars, the wondrous merits of the sanctuary, the figures of the reliquaries externally adorned with dazzling gems, bestow such a hyperbolic beauty on that house of prayer ...
At times of plague, it was common to mark the doors of victims of the disease with a large painted cross, either in red or black paint. In later times, large printed crosses were often affixed to doors. Daniel Defoe reported, at the time of the Great Plague in 1665, that the Lord Mayor of London, in his regulations, stated: [2]
The piece, from a private Asian collection, will go under the hammer in Geneva on Nov. 11, with online bidding opening on the auction house's website on Oct. 25. The necklace, which is composed of ...
Red — the colour of fire; Black — an indication of the misfortunes on the city of Paris. [2] Shortly after, Labouré saw Christ present in the Sacred Host, and on 6 June 1830, the Feast of the Holy Trinity, Christ appeared as a crucified king, stripped of all his adornments. [2] The interior of the Chapel interior view.