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Media in category "Cubist paintings" The following 192 files are in this category, out of 192 total. Albert Gleizes, Marcel Duchamp, Jean Crotti, The Literary Digest, 27 November 1915.jpg 4,495 × 1,691; 4.05 MB
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Cubism was an avant-garde art movement that revolutionized European painting and sculpture in the early 20th century. The essence of cubism is that instead of viewing subjects from a single, fixed angle, the artist breaks them up into a multiplicity of facets, so that several different aspects/faces of the subject can be seen simultaneously.
Spanish cubist artists (1 C, 8 P) Pages in category "Cubist artists" The following 79 pages are in this category, out of 79 total.
Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practiced by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and several other artists into the 1920s. Synthetic cubism is characterized by the introduction of different textures, surfaces, collage elements, papier collé and a ...
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Jacob Armstead Lawrence (September 7, 1917 – June 9, 2000) was an American painter known for his portrayal of African-American historical subjects and contemporary life. . Lawrence referred to his style as "dynamic cubism", an art form popularized in Europe which drew great inspiration from West African and Meso-American a
Although the artists themselves did not use these terms, [2] the distinction between "analytic cubism" and "synthetic cubism" could also be seen in sculpture, writes Read (1964): "In the analytical Cubism of Picasso and Braque, the definite purpose of the geometricization of the planes is to emphasize the formal structure of the motif represented.