Search results
Results From The WOW.Com Content Network
François,_Claude_(dit_Frère_Luc)_-_Saint_Bonaventure.jpg (640 × 583 pixels, file size: 62 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Bonaventure's mature work, the Collationes in Hexaemeron, takes exemplarism, drawn out from his transformation of Platonic Realism, as the basis for vital points of Christian theological dogma: God's love of creation, God's foreknowledge, providence and divine governance, the unconstrained but perfect will of God, divine justice and the devil ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Displaying the Body of Saint Bonaventure (French: Exposition du corps de saint Bonaventure) is a 1629 oil painting on canvas by the Spanish painter Francisco de Zurbarán, now in the Louvre. Around the body of Saint Bonaventure are figures including James I of Aragon and Pope Gregory X , shown in conversation.
The work's precise date of composition, and its author, has occasioned much debate. [1] Until the late nineteenth century, it was traditionally ascribed to Bonaventure.Once it was realised that the work was not by him, the ascription was changed to pseudo-Bonaventure, and was judged to be of unknown Franciscan authorship.
“In every conceivable manner, the family is a link to our past, bridge to our future.”— Alex Haley “It is the smile of a child, the love of a mother, the joy of a father, the togetherness ...
In Santa Maria de Guadalupe he painted multiple large pictures, eight of which relate to the history of St. Jerome; [3] and in the church of Saint Paul, Seville, a figure of the Crucified Saviour, in grisaille, creating an illusion of marble. In 1639, he completed the paintings of the high altar of the Carthusians in Jerez. [28]
This manuscript was an important copy of other works of Bonaventura, performed in 1380 by Giovanni da Iolo in its inventory of Bibliohtek of the Convention in Assisi, of B. Bonelli in the 18th century and described the outgoing end of the 13th century dates, was lost in the aftermath, however, and could only be Guilbert 1984 by Ouy in Leningrad ...