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"Help Me Make It Through the Night" is a country ballad written and composed by Kris Kristofferson and released on his 1970 album Kristofferson. It was covered later in 1970 by Sammi Smith, on the album Help Me Make It Through the Night. In 1982, Kris did a re-recording with Brenda Lee for the compilation album The Winning Hand.
Hank Crawford - alto saxophone; Al DeRisi, Snooky Young - trumpet (track 7) Wayne Andre - trombone (track 7); Grover Washington, Jr. - tenor saxophone (track 7) Pepper Adams - baritone saxophone (track 7)
Jewel Fay "Sammi" Smith (August 5, 1943 – February 12, 2005) [3] was an American country music singer and songwriter. She is best known for her 1971 crossover hit "Help Me Make It Through the Night", which was written by Kris Kristofferson.
In addition, "Help Me Make It Through the Night" also reached #1 on the RPM Country chart in Canada, as well as #4 on its Top Singles chart. [5] For the song's success, Smith would later win the Country Music Association's "Single of the Year" award and the Grammy Award for Best Female Country Vocal Performance in 1972. [2]
On his first night, he opened for Linda Ronstadt and sang "Help Me Make it Through the Night". [33] That year, the album failed commercially, selling 30,000 copies. [ 34 ] Following the success of Johnny Cash's version, in November 1970 Kristofferson won Song of the Year at the Country Music Association Awards with "Sunday Mornin' Comin' Down".
"Help Me" is a song written by Larry Gatlin. A country gospel song, the lyrics tell the story of a world-weary and tired man pleading for guidance and reassurance from God . Gatlin performed the song at the funerals of both June Carter and Johnny Cash and dedicates the song to them during every performance.
Jerry Reed – electric guitar on "You Show Me Yours" Grady Martin – electric guitar on You Show Me Yours," "Sunday Mornin' Comin' Down" Albert Lee – electric guitar on "The Pilgrim" Booker T. Jones – organ on "Why Me" Kris Kristofferson – backing vocals; Technical. Bradley Hartman, Harold Lee – engineer; Norman Seeff – photography
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).