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Cajun music is evolved from its roots in the music of the French-speaking Catholics of Canada. In earlier years, the fiddle was the predominant instrument, but gradually the accordion has come to share the limelight. Cajun music gained national attention in 2007, when the Grammy Award for Best Zydeco or Cajun Music Album category was created. [50]
Cajun culture, due to its mixed Latin-Creole nature, had fostered more laissez-faire attitudes between black and white people in the Cajun Country than anywhere else in the South. [116] Roman Catholicism actively preached tolerance and condemned racism and all hate crimes; the Roman Church threatened to excommunicate any of its members who ...
Joseph Broussard (1702–1765), also known as Beausoleil (English: Beautiful Sun), was a leader of the Acadian people in Acadia; later Nova Scotia, Prince Edward Island, and New Brunswick. Broussard organized Mi'kmaq and Acadian militias against the British through King George's War , Father Le Loutre's War and during the Seven Years' War .
A new respect for Cajun culture developed in the 1990s. Among the most well-known Cajun bands outside of Louisiana is the multi-Grammy-winning BeauSoleil, who have joined several country music artists in the studio, and served as an inspiration to the Mary Chapin Carpenter hit, "Down at the Twist and Shout". [13]
A Cajun dancer will cover the dance floor while the zydeco dancer will primarily dance in a smaller area. Cajun music can be found predominantly at Louisiana festivals and dance halls, in addition to weddings in Acadiana. Louisiana Cajun-Zydeco Festival, 2015. In 1968, CODOFIL (the Council for the Development of French in Louisiana) was created ...
Cajun English is traditionally non-rhotic and today variably non-rhotic. A comparison of rhoticity rules between Cajun English, New Orleans English, and Southern American English showed that all three dialects follow different rhoticity rules, and the origin of non-rhoticity in Cajun English, whether it originated from French, English, or an independent process, is uncertain.
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Ardoin spoke only Cajun French and did not speak English, as was then common for most people in Cajun Country. Developing his musical talents in preference to undertaking farm work, he played at dances, often for Cajun audiences, with fiddle players Alphonse LaFleur and Douglas Bellard.