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Spill occurs when sound is detected by a microphone not intended to pick it up (for example, the vocals being detected by the microphone for the guitar). [3] Spill is often undesirable in popular music recording, [4] as the combined signals during the mix process can cause phase cancellation and may cause difficulty in processing individual tracks. [2]
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Guitar amplifiers that incorporate the electronic chassis into the same cabinet as the speaker are susceptible to microphonics. Though a guitar amplifier's microphonics distortion is sometimes appreciated as part of the "special sound" of a guitar amplifier, a faulty vacuum tube or other component can cause out-of-control positive feedback ...
The entire guitar solo was created using amplifier feedback. [10] Jazz guitarist Gábor Szabó was one of the earliest jazz musicians to use controlled feedback in his music, which is prominent on his live album The Sorcerer (1967). Szabó's method included the use of a flat-top acoustic guitar with a magnetic pickup. [11]
A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
Here, the still-mic-level signal enters into a microphone preamplifier, which boosts the signal voltage to line level. For this example, the microphone preamplifier is built into a mixing board. It is typical for a mixing board to include a line trim after the preamplifier. This allows the amplitude of the now line-level signal to be adjusted.
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A guitar speaker isolation cabinet contains a guitar speaker and one or two microphones in a single- or double-layer soundproofed box. These devices allow the capture of the sound of a guitar amplifier and speaker being played at high levels, while minimizing "bleed through" between tracks in the mix.