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The artist either draws a design directly on a plank of wood, or transfers a drawing done on paper to a plank of wood. Traditionally, the artist then handed the work to a technician, who then uses sharp carving tools to carve away the parts of the block that will not receive ink. [ 3 ]
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce ...
The beginnings of modern wood engraving techniques developed in the late 17th century, by which time publishers of quality books only used the relief printing of wood blocks for small images in the text such as initials, taking advantage of relief printing blocks to be fitted into the same forme or set-up page as the letterpress type of the text.
NVF also made a product called Yorkite, another vulcanized fibre, that has wood grain printed directly on the material. At one time, the company generated an estimated $42.2 million in sales and had about 550 employees. NVF stopped manufacturing Vulcanized Fibre in Yorklyn after a flood in 2003 damaged the equipment.
The early Jesuit missionaries of late-16th-century China, for instance, had a similar distaste for wood-based printing for very different reasons. These Jesuits found that "the cheapness and omnipresence of printing in China made the prevailing wood-based technology extremely disturbing, even dangerous". [45]
The pressure exerted by the press on the paper pushes it into the engraved lines and prints the image made by those lines. In an intaglio print, the engraved lines print black. Wood engraving is a relief printing technique, with the images made by carving into fine-grained hardwood blocks. Ink is rolled onto the surface of the block, dry paper ...
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