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The Tankō Bushi originated at Miike Mine, Kyushu, Japan. Tankō Bushi (炭坑節) is a Japanese folk song. Despite the term "fushi/bushi" found in its name, the rhythm is in swung, ondo style. It is a song about coal mining, and it refers to old Miike Mine in Kyūshū (Tagawa City).
In 1999, he received the National Arts Festival Grand Prize from the Japanese Government's Agency for Cultural Affairs for his CD recording of Japanese Guitar Music 1923-1948. Yamashita's early arrangements of Pictures at an Exhibition , Stravinsky 's Firebird Suite , Dvořák 's New World Symphony no. 9 in E Minor , and others, broke ...
for guitar: transcriptions 1. Irish folk song 2. music by Harold Arlen 3. music by George Gershwin 4. music by Akira Nakada (中田章) 5. music by Joseph Kosma 6. music by Charles Crozat Converse 7. music by Sammy Fain 8.~11. music by The Beatles: Paul McCartney and John Lennon 12. music by Pierre De Geyter: Chamber music: 1975
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
In 2013, Marc Edwards recorded an album featuring three 20-minute versions of "Sakura Sakura", in a free jazz electric guitar style. [16] [17] [18] Many electronic crosswalks in Japan play the melody as "guidance music". [citation needed] Headhunterz sampled part of this song for his song "Path of the Hunter" (2017). [citation needed]
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
The song uses the piano, guitar, bass, drums, strings, and the hammered dulcimer, which was requested by the film's producer. Initially, Nakajin began working on a demo, and Fukase created the B-melody, with the chorus created from connecting the two ideas; Saori then refined the chorus. [ 3 ]
After the end of World War II, renowned dancer Tsai Jui-yueh returned from Japan to Taiwan, where she choreographed a modern dance piece “We Love Taiwan—Our Beautiful Island” on the ship while listening to “Taiwan—Our Beautiful Island.” [3] Later, musician Tyzen Hsiao arranged the song for the flute, oboe, clarinet, vocals, and piano while also modifying the lyrics of the second ...