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"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100 .
Personal Jesus is the twelfth solo (and fourteenth overall) studio album by Nina Hagen. It was released on July 16, 2010, in Germany and on July 27, 2010, in the US. It was released on July 16, 2010, in Germany and on July 27, 2010, in the US.
MIDI's introduction coincided with the dawn of the personal computer era and the introduction of samplers and digital synthesizers. [26] The creative possibilities brought about by MIDI technology are credited for helping revive the music industry in the 1980s. [27] MIDI introduced capabilities that transformed the way many musicians work.
Pink was the title of a long rumored unreleased album, which was abandoned in favor of the cover of Method Man's Bring the Pain and the subsequent album, Tight.. The album consists of fourteen previously unreleased songs recorded between 1990 and 1997, including cover versions of Depeche Mode's "Personal Jesus" and Duran Duran's "Girls on Film".
I find it interesting that Manson's cover of Personal Jesus, coming out in 2004, and being a virtual knockoff of the Gravity Kills cover (yes I know they're both covers, but they sound very, very similar in musical style), which was released in 2002, yet Manson apparently deserves a paragraph, whereas Gravity Kills is an also mentioned.
[14] [43] As of mid-July 1992, "Jesus Built My Hotrod" sold 128,000 copies, [44] and was considered one of Warner Bros.’ best-selling CD singles along with Depeche Mode’s “Personal Jesus” and Madonna’s “Vogue” in October 1992. [45]: 28 [46] In 2013, Jourgensen claimed that the single sold over 1.5 million copies worldwide. [43]
The majority of songs are covers which Cash performs in his own sparse style, with help from producer Rick Rubin.For instance, for the song "Personal Jesus", Rubin asked Red Hot Chili Peppers guitarist John Frusciante to re-work an acoustic version of Martin Gore's song, which featured a simple acoustic riff that stripped down the song to a blues style.
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