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"The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document , and also as a 7" vinyl single in 1987. The song was their first hit single, reaching No. 9 on the US Billboard Hot 100 , No. 14 in Canada, and later reached No. 16 on the UK Singles Chart in its 1991 re ...
"The One I Love (Belongs to Somebody Else)" is a popular song composed by Isham Jones with lyrics by Gus Kahn. [1] The song was recorded by Isham Jones' Orchestra on December 21, 1923, at Brunswick Studios in New York City, and published on January 7, 1924. On January 17 in Chicago, Jones recorded another version, with Al Jolson on lead vocals. [3]
"The One I Love" (R.E.M. song), a 1987 song and a top ten hit in the US. "The One I Love" (David Gray song), a 2005 song and a top ten hit in the UK. The One I Love, a manga series by Clamp; The One I Love, a 2014 American film "The One I Love", a 2014 song by Blonde Redhead from Barragán "One I Love", a 2002 song by Coldplay and the B-side of ...
"The One I Love" is a popular song. The music was written by Bronisław Kaper and Walter Jurmann, the lyrics by Gus Kahn. The song was published in 1937, and appeared in the 1938 film Everybody Sing, starring Allan Jones, Judy Garland, and Fanny Brice. In the film the song was sung by Allan Jones and reprised by Jones and Lynne Carver. [1]
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...