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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The illustrations of J. J. Grandville have been noted as an influence on his work. [4] Wood-engraving was his primary method at this time. [ 5 ] In the late 1840s and early 1850s, he made several text comics , like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851 ...
The illustrations of his monumental Bible, published on December 1, 1865, to take advantage of Christmas sales, in all the capitals of Europe, gave him a reputation as religious painter. [5] He created several more or less spectacular religious paintings that were intended for the Doré Gallery, which included this monumental Christ Leaving the ...
Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: JOSEPH TOOK THE YOUNG CHILD AND HIS MOTHER AND DEPARTED INTO EGYPT. 224 St- Matthew II. 14. Text Appearing After Image: 15 JESUS IN THE TEMPLE WITH THE LEARNED MEN. 225 st. Luke ii 46.
Italiano: Frontespizio per un'edizione illustrata del 1866 della Bibbia realizzato da Gustave Doré.L'incisione, che porta per titolo Il diluvio rappresenta degli uomini e una tigre che tentano invano di salvare la loro prole aggrappandosi ad una roccia non ancora sommersa dalle acque.
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Rosa Celeste: Gustave Doré's illustration for Paradiso Canto 31, where Dante and Beatrice gaze upon the highest Heaven, The Empyrean. The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries.
London: A Pilgrimage is a book first published by Grant & Co in 1872, with text by the English journalist William Blanchard Jerrold and illustrations by the French artist Gustave Doré. It was originally published in 13 parts, with 191 pages and illustrations, and then serialised in Harper's Weekly. It has been described as a populist picture book.