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Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
Utamakura (歌まくら, "poem[s] of the pillow") is a book of 12 erotic prints attributed to Utamaro, published in 1788. [10] The first print depicts a pair of kappa river creatures raping an ama diver underwater. [11] Her hair flows with the running current, [12] and small, seemingly curious fish swim near. [13]
The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints. The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and ...
Oceans of Wisdom (Japanese: Chie no umi (千絵の海) [1]) is a chūban yoko-e (19 × 25.4 cm) sized woodblock print series by the Japanese artist Hokusai. The ten fishing-themed prints comprise one of Hokusai's rarest sets. Published by Moriya Jihei, [2] it seems to have been issued around 1832–1834 [3] [4] and publication of the prints ...
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Tsukioka Yoshitoshi (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年; 30 April 1839 – 9 June 1892) was a Japanese printmaker. [1]Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting.