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Telharmonium console by Thaddeus Cahill 1897. The Telharmonium (also known as the Dynamophone [1]) was an early electrical organ, developed by Thaddeus Cahill c. 1896 and patented in 1897. [2] [3] [4] The electrical signal from the Telharmonium was transmitted over wires; it was heard on the receiving end by means of "horn" speakers. [5]
Cahill had tremendous ambitions for his invention; he wanted telharmonium music to be broadcast into hotels, restaurants, theaters, and even houses via the telephone line. [3] At a starting weight of 7 tons (and up to 200 tons) and a price tag of $200,000 (approx. $5,514,000 today), only three telharmoniums were ever built, and Cahill's vision ...
Immediate source: The ‘Telharmonium’ or ‘Dynamophone’ Thaddeus Cahill, USA 1897. 120 Years of Electronic Music (120years.net). Date: 1907 (original file) Source: This file was derived from: Telharmonium - Scientific American 1907.png: Author: Telharmonium - Scientific American 1907.png: Unknown author; derivative work: Clusternote
Tranströmer was born in Stockholm in 1931 and raised by his mother Helmy, a schoolteacher, following her divorce from his father, Gösta Tranströmer, an editor. [5] [6] He received his secondary education at the Södra Latin Gymnasium in Stockholm, where he began writing poetry.
Lydia Huntley Sigourney (September 1, 1791 – June 10, 1865), née Lydia Howard Huntley, was an American poet, author, and publisher during the early and mid 19th century. She was commonly known as the "Sweet Singer of Hartford." She had a long career as a literary expert, publishing 52 books and in over 300 periodicals in her lifetime.
However, a man of mature age may also prosper in terms of his material wealth and friends, and achieve happiness. The poet explains that the distribution of man's fortunes and misfortunes is in God's hands, including that of one's skills and talents: martial dexterity (throwing and shooting), cunning at board-games, scholarly wisdom and the ...
She published books from 1898 to 1929, though her treatment of Irish sources was criticised by Séamus Ó Duilearga. Her work was also published in a number of literary newspapers and journals, such as Celtic Review , Literary World , Folklore Journal , The Saga Book of the Viking Club and The New Ireland Review .
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