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B. Kolappan of The Hindu reviewed the film's soundtrack. [5] Regarding "Uravugal Thodarkathai", he added that the song "poignantly captures the vulnerable moments in the life of a woman", while "Panneer Pushpangale" and "Vaazhkai Odam Chella" had a "philosophical touch."
The album featured three songs: "Uravugal Thodarkathai", "Panneer Pushpangale" and "Vaazhkai Odam"; the lyrics were written by Gangai Amaran and Kannadasan and the vocals for the songs were performed by K. J. Yesudas, Haasan and S. Janaki, respectively. The soundtrack was released under the label of EMI Records. [22]
A critic from The Times of India rated the film two out of five stars and wrote that "There are interesting moments in the film that are intriguing but are never delved into" and added that "It’s as if the makers were dead sure that they wanted to make a film that remained surface-level and didn’t go even a little deeper". [11]
English. Read; Edit; View history; Tools. Tools. move to sidebar hide. Actions Read; ... Uravugal Thodarkathai (2011–2015) [22] Mahabharatam (2013–2014) Mangayin ...
Current distribution of Dravidian languages.. This is a list of English words that are borrowed directly or ultimately from Dravidian languages.Dravidian languages include Tamil, Malayalam, Kannada, Telugu, and a number of other languages spoken mainly in South Asia.
Amaran revealed his debut film as composer Malargalile Oru Malligai became unreleased despite soundtrack being released so Oru Vidukathai Oru Thodarkathai became his first film as composer to be released. [3] All songs were written by Vaali and Amaran. [4] The songs "Nayagan Avan Puram" and "Vidukathai Ondru" became hugely popular. [3]
Some words are also used wherein the original meaning has been changed or distorted: Mustaiki from mustaid = ready; bekar bahas (idle talk) gives bhikar bhaso (useless philosophising) kapan khairo - eater of one's own shroud - miser
Idhu Oru Thodar Kathai was released on 11 April 1987. [3] The Indian Express wrote, "Film is a world apart. Money is needed to translate ideas on to celluloid, and again, lucre is a dominating, if not the only preoccupation of most of the people who matter in films.