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Dido, Queen of Carthage (full title: The Tragedie of Dido Queene of Carthage) is a short play written by the English playwright Christopher Marlowe, with possible contributions by Thomas Nashe. It was probably written between 1587 and 1593, and was first published in 1594.
Aeneas appears as a character in William Shakespeare's play Troilus and Cressida, set during the Trojan War. Aeneas and Dido are the main characters of a 17th-century broadside ballad called "The Wandering Prince of Troy". The ballad ultimately alters Aeneas's fate from traveling on years after Dido's death to joining her as a spirit soon after ...
Henry Purcell (/ ˈ p ɜːr s əl /, rare: / p ər ˈ s ɛ l /; [n 1] c. 10 September 1659 [n 2] – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream called The Fairy Queen.
Aeneas and Dido on the mosaic. The Low Ham Roman Villa was a Roman courtyard villa located near Low Ham in the civil parish of High Ham in the English county of Somerset. It is best known for the extraordinary figured mosaic depicting the story of Aeneas and Dido. The site is a scheduled ancient monument. [1]
Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
Dido, founder and first queen of Carthage Dido, Queen of Carthage (play) , a play by Christopher Marlowe Dido, Queen of Carthage (opera) , an opera by Stephen Storace
Dido and Aeneas (Z. 626) [1] is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain.
The story of Dido and Aeneas remained popular throughout the post-Renaissance era and was the basis for many operas, with the libretto by Metastasio, Didone abbandonata, proving especially popular with composers throughout the eighteenth century and beyond: