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Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1]
Within the ontology of color, there are various competing types of theories. One way of posing their relationship is in terms of whether they posit colors as sui generis properties (properties of a special kind that can't be reduced to more basic properties or constellations of such).
Color management is particularly important in industries such as graphic design, photography, and printing, where accurate color representation is crucial. It helps to maintain color consistency throughout the entire workflow, from capturing an image to displaying or printing it.
One theory for why people prefer one color more than another is called ecological valence theory (EVT) proposed by Stephen Palmer and Karen Schloss. [36] This theory asserts that people tend to like or dislike colors based on their associations of the color to other objects or situations that they have strong feelings about.
In color theory, a color scheme is a combination of 2 or more colors used in aesthetic or practical design. Aesthetic color schemes are used to create style and appeal. Colors that create a harmonious feeling when viewed together are often used together in aesthetic color schemes. Practical color schemes are used to inhibit or facilitate color ...
It predated modern scientific color theory. Red, yellow, and blue are the primary colors of the RYB color "wheel". The secondary colors, violet (or purple), orange, and green (VOG) make up another triad, conceptually formed by mixing equal amounts of red and blue, red and yellow, and blue and yellow, respectively. Classification of pigment colors
Wherein color harmony is a function (f) of the interaction between color/s (Col 1, 2, 3, …, n) and the factors that influence positive aesthetic response to color: individual differences (ID) such as age, gender, personality and affective state; cultural experiences (CE); contextual effects (CX) which include setting and ambient lighting ...
Color Space and Its Divisions: Color Order from Antiquity to the present. New York: Wiley. ISBN 978-0-471-32670-0. This book only briefly mentions HSL and HSV, but is a comprehensive description of color order systems through history. Levkowitz, Haim; Herman, Gabor T. (1993). "GLHS: A Generalized Lightness, Hue and Saturation Color Model".