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Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Second person can refer to the following: A grammatical person (you, your and yours in the English language) Second-person narrative, a perspective in storytelling; Second Person (band), a trip-hop band from London; God the Son, the Second Person of the Christian Trinity
This category contains articles about novels which use a second-person narrative structure; a mode of storytelling in which the audience is made a character. This is done with the use of second person pronouns like you .
Everyone knows that “POV” is short for “point of view” to represent a first-person perspective but teens also use it in the second-person to strengthen their opinions, both on social media ...
In linguistics, grammatical person is the grammatical distinction between deictic references to participant(s) in an event; typically, the distinction is between the speaker (first person), the addressee (second person), and others (third person).
I don't know about the debate, but our article/subsection Narration#Second-person does mention Bright Lights, Big City (where, it has to be pointed out, the second person narrator is addressing himself as "you") as well as poems and tons of songs of course (random example: "Every Breath You Take"). ---Sluzzelin talk 05:59, 22 July 2017 (UTC)
An example of the telling of a story in the grammatical first person, i.e. from the perspective of "I", is Herman Melville's Moby-Dick, which begins with "Call me Ishmael." [15] First-person narration may sometimes include an embedded or implied audience of one or more people. [15]
The action film Hardcore Henry (2015) consists entirely of POV shots, presenting events from the perspective of the title character, in the style of a first-person shooter video game. Nearly the entire film Maniac is shot from the murderer's point of view, with his face being shown only in reflections and occasionally in the third person.