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James Sallis (born December 21, 1944) is an American crime writer who wrote a series of novels featuring the detective character Lew Griffin set in New Orleans, and the 2005 novel Drive, which was adapted into a 2011 film of the same name. Sallis began writing science fiction for magazines in the late 1960s.
Drive is a 2005 noir novel by American author James Sallis. The book was first published on September 1, 2005, through Poisoned Pen Press. In 2011, it was adapted into a feature film of the same name starring Ryan Gosling and directed by Nicolas Winding Refn with a screenplay by Hossein Amini. A sequel novel, Driven, was published in 2012. [1]
Driven is a 2012 novel by James Sallis that is a sequel to the novel Drive ... Google Books This page was last edited on 3 June 2024, at 19:18 (UTC). Text ...
James Sallis (born 1944, US) C. J. Sansom (born 1952, Sc) Joh Sasaki (佐々木譲, born 1950, J) Robin Sax (born 1972, US) Dorothy L. Sayers (1893–1957, E) Sandra Scoppettone (born 1936, US) Cathy Scott (born 1950s, US) Will Scott (1893–1964, E) Lisa Scottoline (born 1955, US) Sōji Shimada (島田荘司, born 1948, J) John Silvester ...
New Orleans has served as the backdrop for a number of films with iconic turns in films such as Gone With the Wind (1939), A Streetcar Named Desire (1951), Little New Orleans Girl (1956), The Cincinnati Kid (1965), Live and Let Die (1973), Little New Orleans Girl (1978), Interview with the Vampire (1994), Little New Orleans Girl (2004), The Curious Case of Benjamin Button (2008), and The ...
"Binaries" by James Sallis "Lost in the Marigolds" by Lee Hoffman and Robert E. Toomey, Jr. "Across the Bar" by Kit Reed "The Science Fair" by Vernor Vinge "The Last Leaf" by W. Macfarlane "When All the Lands Pour Out Again" by R. A. Lafferty "Only the Words Are Different" by James Sallis "The Infinity Box" by Kate Wilhelm
The other is a page-long prose poem, “The Dying Castles,” which appeared in a 1968 issue of the British SF magazine New Worlds (#200), as under the joint authorship of James Sallis, Samuel R. Delany, and Michael Moorcock. (Several times Delany has said that he has no memory of having written any part of it; and he has assumed the use of his ...
James Sallis declared that The Man Who Fell to Earth was "among the finest science fiction novels," saying "Just beneath the surface it might be read as a parable of the Fifties and of the Cold War. Beneath that as an evocation of existential loneliness, a Christian fable, a parable of the artist.