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Ankle-length cloaks with cape-collars to cover slits for the arms were worn in cold or wet weather. Ermine muffs with attached handkerchiefs were worn to keep hands warm and be fashionable. [4] The pelerine was a popular name for wide, capelike collars that extended over the shoulders and covered the upper chest. Sometimes they had layers of ...
Elizabeth of York wears an early gable hood and a front-closing red gown with a fur lining or trim and fur cuffs, c. 1500. An unidentified princess believed to be Mary Tudor or Catherine of Aragon wears a round hood over a linen cap and a dark gown over a kirtle. Her square-necked smock has a narrow row of embroidery at the neck, and she wears ...
The gown was worn over a kirtle or petticoat (or both, for warmth). Prior to 1545, the kirtle consisted of a fitted one-piece garment. [ 22 ] After that date, either kirtles or petticoats might have attached bodices or bodies that fastened with lacing or hooks and eyes and most had sleeves that were pinned or laced in place.
For hawking, this woman wears a pink sleeveless gown over a green kirtle, with a linen veil and white gloves. Codex Manesse , 1305–40 Women making pasta wear linen aprons over their gowns. Their sleeves are unbuttoned at the wrist and turned up out of the way, late 14th century Many Italian women wear their hair twisted with cord or ribbon ...
Comtesse de Tessin (Ulla Tessin), 1741, wears a black hood over a lace cap, and a red, fur-lined shoulder cape called a mantle or tippet. She carries a matching fur muff. A large ribbon bow trims her bodice at the neckline. Mary Edwards, 1742, wears a red gown with a lace-trimmed kerchief or fichu tucked under the ribbon bow on her bodice. Her ...
Until the end of the 15th century, the doublet was usually worn under another layer of clothing such as a gown, mantle, or houppelande when in public. In the 16th century it was covered by the jerkin. Women started wearing doublets in the 16th century, [3] and these garments later evolved as the corset and stay. The doublet was thigh length ...
In addition to Queen Elizabeth’s wedding dress, Hartnell also designed her coronation dress, worn in 1953 and made of duchesse satin richly embroidered in a lattice-work effect.
The dark gown has short puffed sleeves and is worn over tight undersleeves and a pink petticoat trimmed with rows of braid at the hem. The lace-edged apron shows creases from starching and ironing, 1630. Portrait of an unknown woman wearing the informal English fashion of a brightly coloured bodice and petticoat without an overgown. Her bodice ...