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The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
[1] [3] The paper and cardboard used is mostly waste paper, such as old newspapers and boxes, with decorative elements, such as crepe paper being new. [2] [5] Most shapes are created with molds, then painted with acrylics. [5] Most of the production since colonial times has followed the annual calendar of religious and civic events.
Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
Some "fast fashion" retailers, like Zara attempt to control their whole supply chain from design to production to the retail store, in order to practice just in time production, or something close to it; in cases of complete integration, there is no "wholesale fashion distribution," as the retailer is its own manufacturer and wholesaler.
Cartonnage of Nespanetjerenpere, ca. 945–718 BCE. Linen or papyrus mixed with plaster, pigment, glass, lapis lazuli, 69 11/16 in. (177 cm). Brooklyn Museum, 35.1265.. In a technique similar to papier-mâché, scraps of linen or papyrus were stuck together with plaster or resin and used to make mummy cases and masks. [3]
The skilled artisans involved with this painstaking process are called Paper Mache makers. The materials involved with this process are discarded paper, cloth, straw of rice plant, which are mixed and made into a pulp. [7] The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried.