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Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
In literary criticism and rhetoric, a tautology is a statement that repeats an idea using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". [1] [2] Tautology and pleonasm are not consistently differentiated in literature. [3] Like pleonasm, tautology is often considered a fault of style when unintentional.
A long poem that narrates the victories and adventures of a hero. Such a poem is often identifiable by its lofty or elegant diction. [11] epic simile epic theater epigraph 1. An inscription on a statue, stone, or building. 2. The legend on a coin. 3. A quotation on the title page of a book. 4. A motto heading a new section or paragraph. [2]
However, if the second word has more syllables than the first, the second word is often reduplicated instead (Led Zeppelin Led Shmeppelin). Shm-reduplication is generally avoided or altered with words that already begin with shm-; for instance, schmuck does not yield the expected "schmuck shmuck", but rather total avoidance or mutation of the ...
The Grinch. The Grinch can't steal our Christmas spirit, but he sure can deliver laughs. In the 2018 adaptation of Dr. Seuss' beloved children's storybook, Benedict Cumberbatch brings the mean ol ...
Sonnet 17 is an English or Shakespearean sonnet, consisting of three quatrains followed by a couplet.It follows the form's typical rhyme scheme: abab cdcd efef gg.Sonnet 17 is written in iambic pentameter, a form of meter based on five pairs of metrically weak/strong syllabic positions.
Time's Paces is a poem about the apparent speeding up of time as one gets older. It was written by Henry Twells (1823–1900) and published in his book Hymns and Other Stray Verses (1901). The poem was popularised by Guy Pentreath (1902–1985) in an amended version.
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