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In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
The jubilant sound of the C section is achieved by harmonising every single melody note with a major chord, even if they are totally foreign to the tonic key. The D section, by contrast, does not use a single accidental; here, jubilance is expressed through the use of brisk tempo, strong rhythm, fortissimo, and a simple, majestic chord progression.
'Show tempo', a term used since the early days of vaudeville, describes the traditionally brisk tempo (usually 160–170 bpm) of opening songs in stage revues and musicals. Humourist Tom Lehrer uses facetious English tempo markings in his anthology Too Many Songs by Tom Lehrer .
This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.
A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so ...
The guitar work, brisk tempo, "and emphasis in the recording mix of punctuating each beat" certainly influenced later artists and the recording's style went on to "characterize 1950s rock and roll". [17] Jordan re-recorded the song in 1973 for an album titled I Believe in Music. [18]
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Jim Ferguson wrote in his review of Resonance: "...the mercurial Pass turns tunes like "It Could Happen to You" (often given a ballad treatment) and Jobim's "Corcovado" into rousing, near-frantic tour de forces, where he establishes a brisk tempo and proceeds to tattoo variation after variation. He does eventually settle down, however, to play ...