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This Is Tom Jones (1969) Tom (1970) I Who Have Nothing (1970) She's a Lady (1971) Tom Jones Close Up (1972) The Body and Soul of Tom Jones (1973) Somethin' 'Bout You Baby I Like (1974) Memories Don't Leave Like People Do (1975) Say You'll Stay Until Tomorrow (1977) What a Night (1977) Rescue Me (1979) The Country Side of Tom Jones (1981 ...
Tom Jones (born 7 June 1940), (real name Thomas Jones Woodward) is a Welsh singer whose career has spanned five-and-a-half decades since his emergence as a vocalist in the mid-1960s, with a string of top hits, regular touring, appearances in Las Vegas (1967–2011), and career comebacks. [1]
Tom Jones' Greatest Hits is a compilation album by Welsh singer Tom Jones, released in late 1973 on Decca Records (on Parrot Records in the United States and Canada). The album spent 13 weeks on the UK albums chart in January–March and May 1974, peaking at number 15.
The quintessential Christmas crush song, Mariah Carey's "All I Want for Christmas Is You" finally hit No. 1 in 2019—25 years after its initial release! 2. Nat King Cole, "The Christmas Song"
Praise & Blame is the 38th studio album by Welsh musician Tom Jones, released 26 July 2010. [2] The album was Jones' first release with Island Records and was recorded in 2009 at the Real World Studios in Wiltshire, England.
20 Greatest Hits (subtitled The Tenth Anniversary Album) is a 1975 compilation album by Tom Jones. As the subtitle suggests, it had been ten years since Jones' first hit, "It's Not Unusual" in 1965. With a copyright date of 1974, the album was released in the UK on 28 February 1975.
At This Moment (also released as Move Closer and Kiss) is the 31st studio album by Welsh singer Tom Jones, released in 1989.It includes the single "Kiss", a cover of the Prince song and featuring the Art of Noise, and a cover of Phyllis Nelson's "Move Closer", which was also released as a single.
The quality of the songs is high, and most are kept in-house, so they match his persona well." [1] Jude Rogers from The Guardian found thath 24 Hours "is an effective piece of Johnny Cash-lite about a man on death row. The final breaths of this character may close the album, but Jones's belly-deep bellow abides."