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The most recognized design found on Ardabil rugs is the famous Mahi (Herati) design - a diamond medallion and small fish throughout. Some modern weavers have begun to favor bold geometric patterns over the traditional Mahi design, and have added colors such as turquoise and purple to the more traditional red, pink, ivory, green, and blue.
Excerpt of a shawl talim (1882). Talim (Kashmiri: تعليم, Kashmiri pronunciation: [t̪əːliːm], Urdu: تَعْلِیم, Arabic: تعليم, pronounced ⓘ) in textiles is a symbolic code and system of notation that facilitates the creation of intricate patterns in fabrics, such as shawls and carpets, [1] and the written coded plans that include colour schemes and weaving instructions.
When and how exactly the Persians started weaving pile carpets is currently unknown, but the knowledge of carpet weaving, and of suitable designs for floor coverings, was certainly available in the area covering Byzance, Anatolia, and Persia: Anatolia, located between Byzance and Persia, was ruled by the Roman Empire since 133 BCE ...
A Turkish kilim is a flat-woven rug from Anatolia.Although the name kilim is sometimes used loosely in the West to include all type of rug such as cicim, palaz, soumak and zili, in fact any type other than pile carpets, the name kilim properly denotes a specific weaving technique.
The late 19th century saw the rejuvenation of Oriental rug production, at this time Oushak re-surfaced as a preeminent center of weaving industry. The new Oushak industry saw two major shifts in design: floral patterns in the Persian tradition were incorporated into design and room size, decorative carpets were woven as European standards demanded.
The Amana Heritage Society received a grant to preserve the art of carpet-weaving. As one Amana man continues to practice it, another is teaching it.
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
These carpets boasted distinctive designs and high knot densities. Carpets made for the Mughal emperors, including Jahangir and Shah Jahan, were of the finest quality. Under Shah Jahan's reign, Mughal carpet-weaving took on a new aesthetic and entered its classical phase. The carpets woven in Lahore were the first to reach European markets ...
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