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Chunaengjeon is the only solo Korean court dance. [4] It shares the same basic pattern and movement with other court dances. Among Joseon court dances it is praised as "the flower of court dance". The most important movement is hwajeontae, when the dancer imitates a bird perching on a flower by putting the colorful sleeves behind and smiling. [2]
Nautch dancers in Old Delhi, c. 1874 Nautch dancer in Calcutta, c. 1900 A Raja awaits the arrival of Nautch dancers A Nautch girl performing, 1862. The nautch (/ ˈ n ɔː tʃ /, meaning "dance" or "dancing" from Hindustani: "naach") [1] was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. [2]
A social dancing or ballroom dancing group class taught at the Arthur Murray Dance Studio in The Woodlands, Texas. Khigga is the most common social folk dance among Assyrian people. Social dances are dances that have social functions and context. [1] Social dances are intended for participation rather than performance. [2]
Korean traditional dance originated in ancient shamanistic rituals thousands of years ago. By the time of the later Korean kingdoms, Goryeo and Joseon, in the 2nd millennium AD, Korean traditional dance benefited from regular support of the royal court, numerous academies, and even an official ministry of the government.
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Seungjeonmu (Korean: 승전무) is a Korean court dance to wish for and celebrate victory. It is originated 2000 years ago and is composed of a sword dance and drum dance called mugo. Seungjeonmu or Dance of Military Triumph was performed to wish for victory from gods of earth and heaven when the nation was at war. Seungjeonmu is South Korea's ...
Bugaku court dance draws heavily from the Buddhist imported culture, but also incorporates many traditional Shinto aspects. These influences eventually mixed together and over the years were refined into something uniquely Japanese, bugaku. [4] Gagaku is the court music that goes beside the bugaku court dance. Tadamaro Ono is a palace musician ...
Cheoyongmu (Korean: 처용무) is a Korean mask dance based on the legend of Cheoyong (처용, 處容), a son of the Dragon King of the Eastern Sea. [1] It is also the oldest surviving Korean court dance created during the Unified Silla period. Cheoyongmu has also been considered as a shamanistic dance because it was performed to drive off evil ...