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Anne's gown is open at the front to reveal a figured silk kirtle beneath. The gowns have wide sleeves with turned-back cuffs lined in fur, 1508. Anne Stafford wears a black fur-lined gown with turned-back sleeves over a dark kirtle [13] She wears a soft sash at her waist and a sheer partlet over a square-necked chemise, c. 1535.
A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
Gowns were made in a variety of styles: Loose or fitted (called in England a French gown); with short half sleeves or long sleeves; and floor length (a round gown) or with a trailing train. [20] [21] The gown was worn over a kirtle or petticoat (or both, for warmth). Prior to 1545, the kirtle consisted of a fitted one-piece garment. [22]
Farthingale sleeves for Catherine Fenton Boyle cost 4 shillings and 4 pence in October 1604 from Robert Dobson, a London tailor. [42] In 1605, Catherine Tollemache wrote to her London tailor, Roger Jones, about farthingale sleeves covered with satin, and he suggested another style of sleeve now in fashion would be "fytter" for her new gown. [43]
Meat dress of Lady Gaga, worn at the 2010 MTV Video Music Awards; Pink dress of Marilyn Monroe, worn in the 1953 film Gentlemen Prefer Blondes; Red dress of Julia Roberts, worn in the 1990 film Pretty Woman; Union Jack dress, worn by Geri Halliwell at the Brit Awards 1997; White dress of Marilyn Monroe, worn in the 1955 film The Seven Year Itch [2]
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