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The first volume contained drawings of fish, shellfish, crabs and other creatures of the sea. The drawings were made by several artists, mostly anonymous. Nederlands: Tekeningen verzameld door Felix Platter, voor gebruik in de encyclopedie Historiae animalium (1551–1558).
English: (Top) unlabeled, assumed to be a manticore. (Bottom) "leucrocotta" (or "leucrocuta", "leucurcuta", [1] etc.). Note also that these two beasts appear on the same page in Johannes Johnston's Historiae Naturalis [1] (cf. uploaded manticore and leucrotta images from it)
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
Printable version; In other projects Wikimedia Commons; Wikidata item; ... Pages in category "Animal artists" The following 137 pages are in this category, out of 137 ...
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
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Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.