Ad
related to: bach organ prelude and fugue c minor imslp 4 scale
Search results
Results From The WOW.Com Content Network
The beginning of the BWV 546 Prelude, in the hand of Johann Peter Kellner. Prelude and Fugue in C minor, BWV 546 is a piece of organ music written by Johann Sebastian Bach, with the prelude dating around his time in Leipzig (1723–1750), and the fugue dating around his time in Weimar (1708–1717). [1]
BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545) BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs) BWV 546 – Prelude and Fugue in C minor; BWV 547 – Prelude and Fugue in C major ("9/8")
The little Prelude and Fugue in A minor, BWV 559 lies in the shadows of Bach's celebrated Prelude and Fugue in A minor, BWV 543. The demisemiquaver passagework of the little prelude is typical of toccata organ writing in Southern Germany, although they can also be found in Dieterich Buxtehude 's works; the use of pedal points in BWV 559 ...
The court chapel at the Schloss in Weimar where Bach was court organist. The organ loft is visible at the top of the picture. Early versions of almost all the chorale preludes are thought to date back to 1710–1714, during the period 1708–1717 when Bach served as court organist and Konzertmeister (director of music) in Weimar, at the court of Wilhelm Ernst, Duke of Saxe-Weimar. [2]
BWV 549 – Prelude and Fugue in C minor; BWV 550 – Prelude and Fugue in G major; BWV 551 – Prelude and Fugue in A minor; BWV 552 – Prelude and Fugue in E-flat major "St. Anne" (published in Clavier-Übung III) Eight Short Preludes and Fugues (553–560) BWV 553 – Short Prelude and Fugue in C major (spurious, possibly by Johann Tobias ...
The chorale prelude Christ unser Herr zum Jordan kam BWV 684 has a trio sonata like ritornello in C minor in the three parts of the manuals with the cantus firmus in the tenor register of the pedal in the Dorian mode of C. Bach specifically stipulates two keyboards to give different sonorities to the imitative upper parts and the bass part.
Harrison Birtwistle arranged a number of Bach organ works as Bach Measures, for chamber orchestra (1996) Edward Elgar transcribed Bach's Fantasia and Fugue in C minor BWV 537 for orchestra; Sergei Rachmaninoff made a transcription of the Violin Partita in E major, BWV 1006, including the following movements: prelude, gavotte and gigue.
This 4-voice fugue BWV 543 has been compared to Bach's harpsichord Fugue in A minor, BWV 944, a 3-voice fugue that was probably written in 1708, and this organ fugue has even been called "the final incarnation" of BWV 944. [7] (A similarity had been mentioned by Wolfgang Schmieder, editor of the Bach-Werke-Verzeichnis.)