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A colourfully decorated classical ballet tutu, on a dress form. A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. [1] It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the ...
Machine embroidery is used by hobbyists and crafters to decorate gifts, clothing, and home decor. Examples include designs on quilts, pillows, and wall hangings. There are multiple types of machine embroidery. Free-motion sewing machine embroidery uses a basic zigzag sewing machine. Designs are done manually.
The let-out method is the most popular method used in the past, this involves cutting the pelt into countless thin strips and sewing them back together in a staggered fashion to make the pelt thinner and longer. The skin-to-skin method, now often called 'full pelt' is the easiest method where whole pelts are sewn side-by-side to fit the pattern.
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The ruling established that a "made-to-measure suit would be cut, usually by machine, from an existing pattern, and adjusted according to the customer's measurements," while "a bespoke suit would be fully hand-made and the pattern cut from scratch, with an intermediary baste stage which involved a first fitting so that adjustments could be made ...
Up until the invention of the fur sewing machine, mink fur was unpopular. Wild mink are small mammals, males weighing 1 kg (2 lb 3 oz), making them difficult to work into a full garment. Once the fur sewing machine and fur farming became popular it was possible to breed farmed minks to be significantly larger and to use a method called "letting ...
Crochet, embroidery, knitting, lace, quilting and felting are all commonly found in wearable art pieces. Crochet remained a homemaker's art until the late 1960s, as new artists began experimenting with free-handed crochet. This practice allowed artists to work in any shape and employ the use of colors freely, without the guidance of a pattern. [15]
In the same way, we cannot control our inspirations, we cannot trade-mark natural or cultural heritage as contemporary artistic territory." This coincided with the first appearance of this design of kente cloth printed on a dress worn by American poet Amanda Gorman for the cover of Vogue's May 2021 issue. [citation needed]