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Richard Diebenkorn (April 22, 1922 – March 30, 1993) was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings.
Richard Diebenkorn (1922–1993), American painter and print-maker; Pieter Franciscus Dierckx (1871–1950), Belgian impressionist painter; Adolf Dietrich (1877–1957), Swiss naïve artist and laborer; Mary Dignam (1860–1938), Canadian painter and activist; Sam Dillemans (born 1965), Belgian painter; Meredith Dillman, American fantasy artist ...
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
Her paintings and prints represent her everyday life; figures and still-lifes are the subject matter. A class at the San Francisco Art Institute taught by Richard Diebenkorn in 1960 furthered Felter’s practice of figurative style. [6] In her landscapes, nudes and complex still-lifes, June’s work was appreciated for its graceful spontaneity. [5]
The Cantor Arts Center's collection houses over 38,000 items, including African Art, American Art, Ancient Art, the Andy Warhol Photography Archive, Art of Asia and Oceania, Art of the Indigenous Americas, Auguste Rodin, Eadweard Muybridge, European Art, Modern and Contemporary Art, Photographs, Prints and Drawings, Richard Diebenkorn Sketchbooks, Sculptures on Campus, and collections and ...
In a corner of the salon, sits a 1940’s credenza by Clifford Pascoe for Artek, Somerset House, a “Large Light Blue” Artists Proof by Richard Diebenkorn (original to the owner), a ...
During the early 1950s, Richard Diebenkorn was known as an abstract expressionist, and his gestural abstractions were close to the New York School in sensibility but firmly based in the San Francisco abstract expressionist sensibility; a place where Clyfford Still has a considerable influence on younger artists by virtue of his teaching at the ...
In 1992, Richard Diebenkorn said of Villierme, "(Villierme's) painting had, and still has, instinctual understanding of that universal human activity in which colors are applied to a surface." [ 8 ] In the late 1950s Henry Villierme and his wife left the Bay Area for Southern California to raise their family.